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(It’s the first norteño song to do so in years.) Possible social critique: this death we sing about so blithely deserves our respect.Įl Komander – “Malditas Ganas”: Loose, funny, talking as much as he sings - which is good, given his misguided attempts at balladry - Alfredo Rios defines charismatic. In early 2015 Camacho dies in a car wreck and “El Karma” hits #1 on Billboard’s overall Hot Latin chart, albeit during a slow week.
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Camacho’s version has become the hit version on regional Mexican radio, where it sounds like nothing else - it’s surrounded by sappy love songs and cheery trafficking songs. Camacho’s version is slower, stripped down to two guitars and a tuba, the fatalistic retelling of an old old story.
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The song ends with the line, “nobody escapes the reaper.” Other versions of this song are speedy, either triumphal or drunken, performed by norteño quintet or banda. Here’s how I explained it to Frank Kogan, but I may be missing some nuance in how its audience hears it: (As near as I can tell, Camacho tries to kill his daughter’s kidnapper and gets killed himself, so Karma doesn’t work!) This is still the best version of the umpteen floating around. Basically, it sounds like nothing else on the radio, Camacho’s endless flutters of requinto deepening a murder ballad that’s cynical but cautionary, mythic but subversive, and coming to you direct from BEYOND THE GRAVE. Ariel Camacho y Los Plebes del Rancho – “El Karma”: NorteñoBlog has waxed about this song before.